Time Out London / Unlike her detective-style work with strangers, this piece showcased the artist's equally passionate impetus to enroll people into her projects in a similarly anthropological way that would allow for an expression of human commonality in shared experiences. These stories of objects, love, heartbreak, art, and death find a lovely balance of vulnerability, playfulness, honesty, and strength. Her work often incorporates elements of voyeurism, surveillance, and personal narrative to explore the nature of love, intimacy, violence and death. In fact, she would later become a huge subject of her daughter's work, as in the installation Rachel, Monique, (2014) which was a tribute to the life and loves of her mother, featuring a video of the final moments of her life. He has studied art history and photography at the San Francisco Art Institute and creative writing at the University of San Francisco. As with much of the artist's work, perhaps L'HÃ´tel says more about Sophie Calle than it does about the anonymous hotel visitors. The White Review / For the pleasure of following them, not because they particularly interested me. In, "These works had involved me so much in the act of following that I wanted, in a certain way, to reverse these relationships. The choice is made for you. Sophie Calle’s work is on the complete opposite end of the spectrum – it is intimate and emotional, it quietly asks you to hold it, almost always as a book, and experience it at your own pace. This oftentimes conjures reflection surrounding absence, presence, longing, hope, and other primal emotions. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. Sophie Calle: Her(e) but Not Her(e) By Mya M. Mangawang. ", "Establishing rules and following them is restful. At the end of January 1980, on the streets of Paris, I followed a man whom I lost sight of a few minutes later in the crowd. The New York Times / Variously described as a conceptual artist, a photographer, a movie director, and even a detective, she has developed a practice that is instantly recognizable for its distinct narrative elements and frequent combination of images with text. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo, where a group of Conceptual writers used similar constraints in literature. In each piece, a felt curtain embroidered with the French artist’s writing conceals a hidden photograph behind it. A similar strategy was adopted by other contemporary women artists, perhaps most notably, Tracey Emin. Let us know. Originally published in French as an artist's book in 1980 and reissued in 2015 by Siglio Press in English, Suite VÃ©nitienne epitomizes Sophie Calle's idiosyncratic, documentary-style text and photography in an eloquent blend of fact and fiction. The work offers a portrait of hope in the face of visible economic and social poverty. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. She represented France at the Venice Biennale in 2007. I photographed them without their knowledge, took note of their movements, then finally lost sight of them and forgot them. Her work frequently depicts human vulnerability, and examines identity and intimacy. The book documents the artist's pursuit of the man, an equally enigmatic Henri B., around Venice in diary-like text and black and white photographs. In the upper piece, the color photograph shows a bed and headboard which elicit the faded grandeur of Venice, the carved wood, modestly patterned wallpaper, and sober yet satin bedcovers suggestive of the nostalgic time-worn wanderlust and romanticism that continue to draw countless visitors to the city. Sophie Calle is a French artist who has exhibited extensively throughout the world since the late 1970s. This blurring of genre into a whole new form of performative art making was radical at the time. Exhibitions of Calle's work took place at the Centre Georges Pompidou, Paris; Hermitage Museum, St. Petersburg, Russia; Musée d'Art et d'Histoire du Judaïsme, Paris; Paula Cooper Gallery, New York; Palais des Beaux-Arts, Brussels, Belgium; Videobrasil, SESC Pompeia, São Paulo, Brazil; Museum of Modern Art of Bahia, Salvador, Brazil; Whitechapel Gallery, London; and the De Pont Museum of Contemporary Art, Tilburg, Netherlands. Oct 23, 2009, By Sean O'Hagan / So I asked my mother to hire a private detective to follow me, without him knowing that I had arranged it, and to provide photographic evidence of my existence.". Probing our human compulsions that vacillate between secrecy and openness, intimacy and privacy, her constructed "games" ask us to join her in investigating our own lives through a social anthropological lens. I think I have an ability because I believe in the construction of the idea. In 2017 she was shortlisted for the Deutsche Börse Photography Prize for her publication My All (Actes Sud, 2016). The text underneath confirms our sense of temporary absence and voyeurism hinted at by the empty hotel bed. ", "I like being in control and I like losing control. Following the rules of others is restful. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet. Oct 2, 2008. This "voice of the people" type of art would go on to influence later artists like the French JR, who pastes massive-scale images of townspeople onto the buildings and structures of their community to give an intimate glimpse of its unique personality and concerns. Découvrez Sophie Calle chez Perrotin She has also taught at Mills College in Oakland, California. They are invited to walk alongside Calle into that tense place between depiction and exploitation. [Internet]. The Paris Review / “Sophie Calle: Because” is an exhibition of new works on view for the first time in the U.S, at Fraenkel gallery in San francisco. ", "I started photographing the people I followed. Inside I find several plastic bags filled with medications and a book, Venise et ses trÃ©sors d'art." Mar 4, 2017, By Sophie Calle / Sophie Calle was born into an intellectual and creative household in 1953 Paris, where she experienced an unconventional childhood. The Guardian / Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. May 14, 2014, By Ken Johnson / This book, however, is a master class in small personal vignettes. It is a prime example of her contribution to Conceptual art with her mode of taking a nominal proposition and carrying it out through the production of a work. The images and the textual narration describe the two main "characters" in a variety of situations: Calle in a blonde wig in Piazzo San Marco, Henri B. holding his hand up to hide his face from the artist's photographic gaze. They take you to their restaurant. Elle a développé une pratique reconnaissable d'emblée par son approche narrative distincte et la fréquente combinaison d'images et de textes. Sophie Calle—whose practice often incorporates writing, photography, installation, film, and more to explore intimacy, identity, interpersonal relationships, obsession, and vulnerability—could easily be considered one of the most significant Conceptual artists of the second half of the 20th century. Stripper, stalker, spy, and thief are all roles the quintessentially French Conceptual artist Sophie Calle has placed herself in toward understanding her own and others' physical and emotional biographies. Spotted a problem? Sophie Calle’s “The Address Book,” An Excerpt. The Guardian / A way not to have to think - to be trapped in a game and to follow it. The following interview appears in issue 96 of BRICK, which hits stores in the first week of December.. Before people started telling her she was an artist, Sophie Calle was a young woman with a camera, an unusually intense curiosity, and time on her hands. The artist's observations dated over three days, record details of the unseen hotel guests: their belongings, their activities, and their correspondence. Devising "rules" for her own self-compelled games was a regular starting point for her explorations into the human condition. Landmarks, the public art program of The University of Texas at Austin, exhibited Double-Blind (1992) and archived an essay dedicated to Calle and her work on their website. : M'as Tu Vue? Book Review: Sophie Calle, True Stories True Stories Sophie Calle November 2010, Steidl & Partners, ISBN: 978-3-86930-156-3, 128 pp. Whether presenting the lives of strangers or her own, Calle's oeuvre is marked by a confessional-like manipulation, seducing the viewer to become complicit in the very act of watching or participating. Her work frequently depicts human vulnerability, and examines identity and intimacy. She has lectured at the University of California, San Diego in the Visual Arts Department. Sophie Calle (born 9 October 1953) is a French writer, photographer, installation artist, and conceptual artist. She is recognized for her detective-like ability to follow strangers and investigate their private lives.
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